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There has been a huge increase on people seeking help for crack addiction in England, specially in under 20s, which is alarming.

Crack’s comeback can be due to multiple factors but one of them is that the drug is getting purer and cheaper, making it more accessible.


"The main reason that crack use has increased is because of the availability of cocaine from which crack is made."said Harry Shapiro, director of the online drug information service Drugwise."There is also a wider dealing network with London as one of the main centres of it."






The latest estimate says there are over 180 thousand users in England, which means an increase compared to past years. There has also been a rise of 16 percent in police seizures of crack.

Crack cocaine has an aggressive liability and makes up, together with heroin, the most social costs associated with drug misuse.

According to drugwise 2016 report, crack and cocaine are the second most used drug in England and Wales.



There is a strong and aggressive marketing by dealers which is related to the increase of the consumption of crack cocaine and opioids. "Heroin dealers will give crack as well when selling heroin. The drug treatment agency are saying that they are seeing more people coming forward just with a crack use problem." said Harry Shapiro.


It has become common that due to the rise of availability and therefore competition, dealers are offering rocks of crack cocaine to people who bring in new customers and offering deals when buying larger amounts of the drug.

Law Enforcement Action Partnership (LEAP UK), an NGO, had a lot to say about how the current measures are failing to address the issue and neglecting society.



John Cross, LEAP UK's communication officer, said that all drugs should be regulated within a legal distribution and supply system. Some of their members have been actively pursuing the illicit drug market for years and have observed how the only way to tackle drug crime and its impact on society is by dealing with the roots of the problem. "Our position at Leap UK is that the current way of treating drugs just as barring them as illegal instead of having a regulated system that people can access and that there are political preparations for and everything else just isn't working.", John said. "All that is doing is just feeding drug crime and making organised crime groups richer."




As it can be seen in the PHI report from last year, there are an estimated 180 000 crack cocaine user. The biggest increase is seen in age ranges of 15 to 24 and 35 to 64.



Estimated number of crack cocaine users aged 35 to 64 by region

John said that the current legislation and mentality go back to war on drugs of Nixon and Reagan. With this "just say no" policy moral panic was built up through the media and been used to stigmatise the poorer population. "That is one reason why the laws continue to exist today and the other reason, created from that forum, is that politicians are scared of losing votes." said John.


John and LEAP UK think that having laws and measures that demonise drug consuming populations do little to help addicts. Instead they propose distribution systems fit for purpose and safe spaces for patients to consume drugs. These would also take into account their medical and psychological history.


"What we, together with brave politicians who are already stepping up, are proposing is not legalisation and is not a free for all for drugs. It is legal regulation." said John, "We want to know where all the drugs people consume come from. We want to know what's in them."


With LEAP UK's proposition of a regulated system, the potency of drugs would be better controlled making it safer for users.


Besides tackling the supply and consumption of drugs, more efforts should be made to help addicts wishing to rehabilitate.

Rehabilitation for crack users is ineffective and largely under staffed. "Unlike with heroin addiction, there's no substitute drug for crack. The only thing that you can provide for people is counselling, some people respond to that but others will not come forward." said Drugwise's Harry Shapiro. Another problem that he has noticed is that treatment agencies don't offer immediate support which is what most people addicted to crack often seek.



James Golding is one of the men of the duo of artists The Connor Brothers. He struggled with crack and heroin addiction and said the available treatment resources failed terribly to help him. "With cuts in services the outlook for people suffering with crack addiction is bleak," he said. "The available resources are evidently ineffective and it is unrealistic to think that our government will do what is required to adequately fund either therapeutic or medically assisted rehabilitation."


James blames the growing use of crack to the rise of mental health issues and homelessness, especially in London. "A less effective police force is also a contributing factor. At the other end of the spectrum there is reduced stigma around cocaine use in comparatively ‘normal’ society", he said.


The stigma around mental health pushed James to seek drugs as a way to express certain thoughts and feelings that he couldn't otherwise. "More resources are desperately needed to create a global environment where it is safe and acceptable to talk openly about our emotions without fear of shame and ridicule. By doing this we will stop drug addiction before it begins."








Kedr (viahttps://www.thefourohfive.com/style/article/start-the-day-151)


Russian producer and singer Yana Kedrina (aka Kedr Livanskiy) confirmed herself as one of the most important names in Russia’s underground electronic scene at her UK debut last Wednesday.


The much awaited performance came to the Islington venue Electrowerkz after having to cancel not only one, but two gigs last year due to issues with the granting of her visa.


Disappointed fans were now eager and had high expectations for Kedr´s show and weren't let down. Kedr offered a tale of experimental electronic music that is only seeing its beginning. I am sure we have yet much more to see from this eclectic artist.


Electrowerkz was the venue where the artist would be debuting her new single “Kiska” and promoting her album “Your need”. The venue seemed to have the perfect aesthetic for Kedr’s individual sets. It was intimate, with a good sound system and just about the right amount of space to enjoy and dance along with the experimental sound characteristic of the russian producer.


At the start of the set, the crowd appeared to be a difficult one. As good as the supporting artists Dewey and Waterbaby were, they didn’t manage to get the too-cool-to-dance people to loosen up. One would think that the moment Kedr would come on stage, the audience would immediately start dancing but they sadly seemed too much of a “Shoreditch crowd” for getting lost in the set.


Kedr was visibly enjoying herself. She didn’t stop swinging around the stage but it wasn’t until she started playing one of the most known songs from her last album, “Ariadna” that everyone seemed to be more receptive. From this moment on, people boogied along to the techno and bassy tune that the artist performed so masterfully and Kedr definitely felt more confident as she went on experimenting with faster beats.


The definite highlight of the night was when “Razrushitelniy Krug (Destructive Cycle)” started playing. It seemed like a spell had been conjured out of thin air and it made the audience experience a really special moment. People seemed to start to smirk at one another in a visible appreciation of one of the artist's most popular songs.


From then on and as Kedr started mixing faster and more dubstep beats, the atmosphere at the venue did a 360 and the energy kept up on a high level until the end of her set.

Kedr had said in previous interviews how she loves to express narratives through film and putting up visuals during her sets made it all feel complete. Kedr really delivered: the entire set was an experimental voyage which didn’t only delight the ears but all of the senses.


It is only the start of this promising artist. Kedr is currently touring in Europe and has just released the music video to her latest single “Kiska”. The full album will be out May 3rd, and will set the way for a new type of experimental techno, putting Moscow as one of the electronic music meccas.

“¿Por qué me involucré en esto? Eso mismo me pregunto cada día,” ríe Asher, “porque me encanta. Disfruto mucho estando aquí.” Asher habla sobre The Cause, la nueva discoteca en Tottenham, de manera tranquila pero muy apasionada.




Es un martes por la tarde y hemos quedado en el local, el cual tiene un aspecto muy industrial y “DIY” desde el primer momento en que lo ves. Todo en él parece rescatado y permitido una segunda vida en este antiguo almacén de llantas del norte de Londres. Asher, quien se encuentra fumando en su oficina, me da la bienvenida y me ofrece un asiento en el viejo sofá que está a su lado. Me pregunta si su historia merece ser contada, le aseguro que sí y comienza desde el principio.


Asher estudió planificación y desarrollo de propiedades en la universidad de Nottingham Trent. Más tarde se dio cuenta de que esto no le motivaba y de que su vida podía ser distinta y fue entonces cuando se dedicó por completo a la música, que siempre tuvo una gran importancia en su vida.


Asher admite que planear y pensar a fondo las cosas nunca le ha llevado a ninguna parte: “Lo que me ha llevado donde estoy hoy ha sido el dejarme llevar y ser espontáneo. Sé que no suena muy prometedor pero si no piensas demasiado terminas superando tus metas y tus propias expectativas,” asegura.


The Cause es un proyecto que empezó debido a conocer a las personas adecuadas en el momento oportuno que deseaban “traer algo positivo a la vida nocturna y dar algo a cambio como ayudar a asociaciones benéficas o donar fondos a favor de la salud mental de los músicos, siendo a su vez capaces de montar una gran fiesta de música electrónica,” dice Asher.


The Cause es muy distinto a todas las discotecas y bares en la capital inglesa ya que, aparte de celebrar la cultura musical, es un proyecto comunitario que apoya a los negocios locales e independientes, además de a las artes. Queda muy claro al hablar con Asher que para él el éxito de una fiesta no depende del beneficio económico.


Cada vez se hace más complicado encontrar un buen ambiente en Londres donde la gente se reúna por su amor a la música electrónica sin tener que planear salir semanas en adelanto debido al altísimo precio de las entradas. “La estética del local, el ambiente que hay normalmente y la manera en la que tratamos a nuestros clientes, nos hace diferentes. Aquí no encontrarás nada pretencioso ni guiado por el deseo de sacar más dinero. Aquí nadie juzga, todo vale.” Nada más fijarte en el local puedes apreciarlo. La distribución interna del lugar y la posición de la cabina del dj en el centro, permite a los asistentes disfrutar mejor de la música y sentirse unidos.


Asher tiene distintas funciones en The Cause, desde encargarse de los vuelos o la estancia de los artistas a manejar las redes sociales, pero el aspecto del trabajo que más le gusta es toda la gente que conoce: “ Este espacio atrae mucha gente creativa. Hay un sentimiento de comunidad muy fuerte y me hace sentir muy bien el saber que formo parte de ello. The Cause es un lugar muy bueno que atrae a gente buena.”

Por el momento, parece que a Asher no le gustaría estar en ningún otro sitio. “Este lugar no va a existir siempre pero la gente que conozco en él sí y estarán ahí para ayudarme en el futuro. Estoy muy agradecido de poder estar en un lugar que me permite conocer a tanta gente con la misma mentalidad que yo. No lo cambiaría.”

Written work: Blog2
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